July 27, 2018
He had the right stuff:
Honoring Sam Shepard
Itís been a year since Sam Shepard died, leaving behind a legacy of deeply
American stories. Shepard spent five decades upending quaint, romanticized
notions of familial love and loyalty. In the process, he ensnared the creative
imagination of Scott Harrison, founder of Ironweed Productions, a local theater
company that has presented a number of Shepardís plays over the years. Harrison
and other Ironweed actors pay tribute to the Pulitzer Prize-winning playwright
in An Evening Honoring the Work of Sam Shepard at 7 p.m. Sunday, July 29, at El
Museo Cultural de Santa Fe (555 Camino de la Familia). Readings of Shepardís
works are followed by a reception. There is no charge for admission. For more
information, visit ironweedsantafe.com.
July 18, 2018
I have added the "Bright Angel"
film page today. Though it premiered at an Italian film festival in 1990, it
wasn't released in the states until June 1991.
TV Guide headlines the film with "Spare and elliptical, 'Bright Angel' sets a
violent coming-of-age story against the bleak backdrop of the modern American
West." First and foremost though, it is a road movie with Dermot Mulroney and Lili Taylor as its lead stars. Sam plays Dermot's father, a spare, angry man. He
has good advice to give, and even some love, but his life has been spoiled by
disappointment and he cannot create a harbor for his lonely, doubting son.
Adapted by author Richard Ford from two of his own short
stories, the film is directed by Michael Fields who makes the most of the
iconography of the West. Some say it has a David Lynch vibe and I would agree.
It just so happens that on July 31, the Quad Cinema in NYC will be screening it
with director Michael Fields and author Richard Ford in attendance.
of you may remember that Richard Ford was a good friend of Sam's. He, too, was a
Pulitzer Prize winner. They appeared together for readings at the Unterberg
Poetry Center at 92nd Street Y in NYC in 1997 and 2006. On the back of the
hardcover edition of "Great Dream of Heaven", you'll find this Ford blurb -
"These are wonderful stories, by turns intuitive and well-wrought, satisfyingly
unpredictable, smart, irreverent, knowledgeable about important human matters,
often quite sweet, and at all times a pure pleasure to read. Mr. Shepard
absolutely makes the form be his own, and for that reason, these stories are
July 12, 2018
The New Mexico Actors Lab in Santa Fe is staging "Ages
of the Moon" now through July 22. Director Robert Benedetti told
the press, "Shepard is one of the authentic voices that make up the cultural
identity of American theater. We really wanted to do a Shepard play in this year
after his death. And especially since he spent so much time in Santa Fe."
Shepard lived in the capital city on and off between 1983 and 1986, and again
from around 2010 to 2015.
In this 80-minute play, two men in their sixties sit on a
Kentucky porch one summer afternoon, awaiting a total eclipse of the moon while
they listen to country music, drink too much bourbon, and argue. Regret and
intermittent rage dominate their long dayís journey into night. In 2010, Sam
told The New York Times, "Iíve come to feel that if I canít make something
happen in under an hour and a half, itís not going to happen in a compelling way
in a three-hour play." He said he was fond of Ages, especially its honest
relationship to the ravages of alcohol, which he admitted had taken a toll on
his own life. "Ages is like a Porsche," he said. "Itís sleek, it does exactly
what you want it to do, and it can speed up but also shows off great brakes."
Nicholas Ballas, who plays "Ames" said that he met Sam more
than 30 years ago in Santa Fe. He even claims to have saved his life one night
on the street when somebody grabbed a knife and went for him in the midst of a
very complicated bar fight. In playing "Ames", Ballas has come to recognize
Shepard-ish aspects in the character. He says, "I got to realize that he was a
bit of a tortured soul. And that comes out in the show a lot... Itís classic
Shepard, you know, two men in opposition who are very much joined at the hip by
need, by disappointment, by love. And thatís kind of the beauty of it. Sam knows
the male psyche ó and he creates it ó like nobodyís business."
* * * * *
From the UK comes news that "True
West" will be staged in the West End at the Vaudeville Theatre from
November 23 to February 16 with press night on December 4. The play will
be directed by Matthew Dunster, who said, "There
is something dangerous about 'True West'. Itís always unsettled me. I was always
scared of reading it. Fearful of its burning content but also of its brilliance.
When Sam Shepard died, I went back to it and I knew I had to find a way of doing
* * * * *
An LA production of "Cowboy
Mouth" was performed last month and this review gave it high marks -
"Extemporaneous and absolutely beautiful in all its savage bizarreness. 'Cowboy
Mouth' is an exquisite often darkly comical wrapper for many mutually excessive
conflicts and polarities contrasting love and hate, beauty and ugliness, power
and powerlessness, poetry and prose and on and on. Shepard and Smith wrote pure
genius into this piece which is ultimately a journey of our own making despite
our dreams for happiness or our downfalls in search of it. Directed, art
directed and performed to a rare, extraordinary, odd perfection."
June 30, 2018
In my attempt to complete this web site, I will be adding new
material in the months ahead. Today I have posted the
PURGATORY page. This fantasy western with its
"Twilight Zone" vibes, aired on TNT in January 1999. Anita Gates of the NY Times
writes, "Very few men can stand quietly in the middle of an empty street with
the authority and the tough, soft-spoken sexiness of Sam Shepard." I'll second
When Sam was asked why he chose to do the film, he responded,
"It felt like a traditional western even
though it had this odd twist to it, and that it was being directed by a German
fascinated me. Europeans seem to have some way or another a more objective take
on westerns. I was fascinated about what a German would do with the material. It
might have a kind of starkness and a non-sentimentality about it. Forrest also
seemed like a great character reminiscent of 'High Noon' and those
traditional western heroes."
And how did filming go? He replied, "I had never done a western on the back lot
in Hollywood. It was at Warner Bros. in Burbank on the old 'Maverick' sets. You
have to stop shooting there when there are helicopters flying over. It was
totally crazy. The camera can't go high or it will catch the telephone wires and
the condominiums. It was actually like purgatory shooting the thing."
Through the years, there were
two Westerns that Sam ultimately regretted turning down - "Lonesome Dove" and "Unforgiven".
With "Lonesome Dove", it was an extremely long shoot, some six months and he
didn't want to commit to that because of his children. And with "Unforgiven",
he explained, "I do this thing sometimes where I just read the first two
pages of a script. It had that horrendous female assault where the woman gets
cut up. I picked it up and threw it away thinking, 'I don't want to do this.
Good Lord, this is outrageous.' So I just threw it away. Oh, well."
As to why there still remains a mystique about the "Wild
West", Sam's response was - "I think you have to make the balance between the
actuality and the romance of it, but still, I think, what's fascinating about it
is that it still offers some kind of mystery. The promise about it is still
unfulfilled and probably never will be fulfilled, so I think that's what
magnetizes a lot of people's imagination. There is this huge vast, still, vast
tract of land that hardly anybody ever walks on.
* * * * *
In the fall of 2014 Sam's last play "A Particle of Dread"
was about to get its US premiere at NY's Signature Theatre. This is a new photo
of Sam attending one of the production rehearsals.
Here are some new movie stills of Sam from his last film, "In
June 22, 2018
Another of Sam's books has undergone a translation. "The
One Inside", originally published in February 2017, was released in Italy by
publisher La nave di Teseo on May 24, 2018. Its Italian title is "Quello di
Choosing Canadian street photographer Fred Herzog was certainly an odd choice.
The cover photo is called "Curtains". The artwork appears to have no
connection to the stories whereas the original one at least conveys the
strangeness and bleakness of the landscape that Sam inhabits in his writing.
The publisher writes, "In this splendid novel by Sam Shepard,
the rhythms of the theater, the language of poetry and the subtle irony of the
narrative are intertwined in a story about life: festive, surreal, moving,
* * * * *
This photo was taken by the paparazzi while Sam was in NYC during his later years. He's reading Vladimir Nabokov's autobiography "Speak, Memory".
Yeah, what else?
* * * * *
The Telegraph lists "Days of
Heaven" as one of the 100 best films on Netflix UK. Their description:
"Terrence Malick's second, and for many, greatest film is a mesmerisingly
gorgeous love triangle set in the Texas Panhandle in 1916, loosely based on an
Old Testament parable. Richard Gere and Brooke Adams are the lovers who pose as
brother and sister to fool a rich, dying farmer, played by Sam Shepard. Nestor
Almendros' astounding magic-hour photography right won an Oscar, and Linda Manz
supplies heartbreaking, plainspoken narration as Gere's younger sister."
June 4, 2018
I've been on holiday in the past month. Thus, the lack of
updates. A couple weeks ago Nobelman Publishing of The Netherlands
published a Dutch translation of Sam's "Spy of the First Person". Having
bought the rights from A. Knopff, they opted to choose another book cover, not
quite as bleak as the original one. The publishing company hopes to also do a
Dutch translation of "The One Inside" by the end of this year.
* * * * *
Jones of the Chicago Tribune reviewed "Buried Child", now playing through
June 17 at the Writers Theatre in Glencoe, IL. Jones writes, "We think of
Shepard as a poet of the West, a bard of wide-open spaces, but he understood the
Middle West better than any writer of his generation. Chicago had David Mamet;
the rest of Illinois was charted by Shepard and it has not changed course."
* * * * *
Here's a new youtube video of Sam talking about how he
met Ellen Stewart of LaMaMa. Click on photo below to view it.
* * * * *
Los Angeles production company Better Lemons, will be staging "Cowboy Mouth"
this month. It will be performed three times at The Broadwater - Second Stage.
The dates are: June 9, 14 and 23. Synopsis: "Set in 1979 Los Angeles when
punk, rock and new wave collide, the play is the story of a woman who kidnaps a
young man with a wife and kid off the street at gunpoint, with the hopes of
inspiring him to be a rock and roll star. But the play has an underlying theme
far more universal. "Cowboy Mouth" is about the importance of taking
responsibility for our own creativity, falling in love with the person, not the
potential." At the preview on May 31, after the curtain, the director read a
letter from Patti Smith about Sam Shepherdís final days. It was a perfect
epilogue to the play.
* * * * *
Looking back - May 9, 1984: Sam attending the LA
premiere of "The Natural" at Samuel Goldwyn Theater in Beverly Hills. That man
is a movie star!
May 8, 2018
Blake Skelton an assistant professor at Kansas State University and author
of "The Late Work of Sam Shepard", has contributed a chapter on Sam Shepard to
the recently published collection, "Visions of Tragedy in Modern American
Drama". In the collection, Skelton joins faculty from other universities in
exploring the contours of tragedy within the spectrum of American theatre.
According to the publisher Bloomsbury, "This volume responds to a renewed focus
on tragedy in theatre and literary studies to explore conceptions of tragedy in
the dramatic work of seventeen canonical American playwrights. The chapters
explore whether there is a distinctively American vision of tragedy developed in
the major works of canonical American dramatists and how this may be seen to
evolve over the course of the twentieth century through to the present day."
* * * * *
When I first saw this photo many years ago, I refused to
believe it was Sam. The photographer is Greg Gorman. I still see no resemblance
to our playwright. If someone told me it was Alexander SkarsgŚrd, I'd believe
April 30, 2018
DC's Rep Stage has decided to close their 25th season with
TRUE WEST. Vincent Lancisi, who directed the first show at Rep Stage and
also directed "Buried Child" in 1994, will return to direct. While many people
know Shepard as a movie actor, Lancisi champions him as a visionary playwright.
"He had a lot to say about Hollywood and duality and personalities, the
motivation of money and how it waters down our artistic impulse and creativity,"
he says. "He was a bit of a rebel and it was sort of an irony that he became a
pretty good movie star because he was breaking all the rules of conventional
theater with these plays. At the same time, he was part of this Hollywood
machine that he wails against in 'True West'."
Rep Stage Producing Artistic Director Joseph W. Ritsch says,
"Vinny is really wonderful at helping actors create specific characters. The
balance of comedy and dark in this piece is really important. When Shepard was
alive, he often talked about the insider vs. the outsider and where that
switches in this play and I think Vinny has done a wonderful job of crafting
that journey. I think right now there are a lot of us feeling like insiders and
a lot of us feeling like outsiders and the chaos of the wild west vs. the
collaboration of democracy and who we are as citizens is very much a large
conversation right now. This play, which premiered back in the í80s, feels very
The play will run from April 26 to May 13, 2018.
On March 2, 2000, a Broadway revival of True West
opened at the Circle on the Square Theatre featuring Philip Seymour Hoffman and
John C. Reilly, who alternated playing the lead roles. This critically acclaimed
production earned Tony Award nominations for best actor (both Hoffman and
Reilly), best director, and best play. Here's a photo of Sam with the two leads.
* * * * *
From Motel Chronicles:
"I remember trying to imitate Burt Lancaster's smile after I
saw him and Gary Cooper in Vera Cruz. For days I practiced in the back yard.
Weaving through the tomato plants. Sneering. Grinning that grin. Sliding my
upper lip up over my teeth. After a few days of practice, I tried it out on the
girls at school. They didn't seem to notice. I broadened my interpretation until
I started getting strange reactions from the other kids. They would look
straight at my teeth and a fear would creep into their eyes. I'd forgotten how
bad my teeth were. How one of the front ones was dead and brown and overlapped
the broken one right next to it. I'd actually come to believe I was in
possession of a full head of perfect pearly Burt Lancaster-type of teeth. I
didn't want to scare anyone so I stopped grinning after that. I only did it in
private. Pretty soon even that faded. I returned to my empty face."
Homestead Valley, CA
July-August 31, 2017
January - June 2014
January - June 2011
July - December 2010
January - June 2010
July - December 2009
January - June 2009
July - December 2008
January - June 2008
November 2005 - December 2006