Kirkus Review:
Only three years separate Dark and Shepard, and in this
engaging correspondence, we see the evolution of their
relationship. They were buddies earlier, and they
remained close despite Shepard’s rise to celebrity as a
playwright and actor. Oddly, neither seems to have
thought about going online (computers are not
mentioned), so, except for the transcriptions of taped
conversations, the volume has the feel of an earlier
age. Editor Hammett notes that he has not assembled a
complete collection but has edited heavily, arranging
the pieces to tell a narrative, excising what he deemed
repetitive or excessively quotidian, though some of the
latter remains.
The correspondence from both parties is rich with
allusions to the writers they admire - principally
Kerouac and Beckett, though many others appear as well,
including Melville, Lardner, C.S. Lewis, Saroyan,
Chekhov and Dickey. They write occasionally about money,
the lack thereof, and about writing. The title
comes from a play they began working on together but never finished. One
transcript records an initial plotting session. Health issues occur continually.
Dark’s wife declines as the book progresses, as do comments about life and
writing. In 2008, Shepard wrote: "I continue to write because basically that’s
all I’ve found I can really do." Shepard’s career ignited, he wrote more often
about his travels, his film and stage projects... And Dark becomes more of a fan than a potential literary
collaborator. By the end, they are discussing the very letters that became the
book.
Library Journal:
Editor Hammett has culled from their letters and
transcribed some of their recorded conversations to
compile a fascinating story of their lives and shared
experiences... Since Shepard has said that he is not
interested in writing his memoirs, this collection of
letters may be the only primary written record of the
esteemed playwright’s life. Photographs of Shepard and
Dark and snapshots of the handwritten letters,
interspersed throughout, add visual interest. For fans
of Shepard, theater buffs, and English and theater
students
LA
Magazine:
A beautiful volume with color photographs by the
University of Texas Press...The book circles around
family life, the challenges of writing and aging, the
search for inspiration, and the death of loved ones.
Praise from independent
booksellers:
Cody Morrison, Square Books,
Oxford, MS:
This is a one-of-a-kind literary treasure that will
probably not be seen in coming decades with the rise of
email. Superbly edited by Hammett and beautifully put
together by UT Press with lots of pictures and
facsimiles of letters, this is my sleeper pick for one
of the best books of the year.
Danielle DuBois Dimond, Brazos
Books, Houston, TX:
A correspondence of two men who took the Kerouac road
and ended up lost in America. Subtle heartbreak, along
with a good dose of wit and humor, run through their
discussions of art, life, women, love, and their own
friendship that seems to frighten them at times. It also
reflects how that American ability to create ones own
identity can lead to losing track of who you are. One of
the closest looks we are going to get at Sam Shepard.
Laurie Greer, Politics & Prose
Books and Coffee Shop, Washington, DC:
Since Shepard has said he won't write a memoir, this
spirited 40-plus year correspondence may well be the
closest we will get to the playwright's perspective on
his own life and work.
Jeremy Ellis, Brazos Books,
Houston, TX:
Sam Shepard defined the 'voice of the West' for a
generation of readers and theatergoers. As it turns out,
his iconic voice was shaped and fueled by his lifelong
friend, who has always shunned society. Now their
collected letters expose the push and pull of their
ideas, culture and an effort to articulate their
personal truths to each other. A magnificent volume.
Dorothy Massey, Collected Works,
Santa Fe, NM:
In four decades of open, honest, correspondence,
uninhibited by pretense or ego, two disparate but
irrevocably intertwined men - one famous, one not -
celebrate the core of male friendship.
|