Sam Shepard's plays are performed on and off Broadway and in
all the major regional American theatres. They are also widely performed and
studied in Europe, particularly in Britain, Germany and France, finding both a
popular and scholarly audience. A leader of the avant-garde in contemporary
American theatre since his earliest work. Sam's plays are not easy to
categorize. They combine wild humor, grotesque satire, myth and a sparse,
haunting language to present a subversive view of American life. His settings
are often a kind of nowhere, notionally grounded in the dusty heart of the vast
American Plains; his characters are typically loners, drifters caught between a
mythical past and the mechanized present; his work often concerns deeply
troubled families.
Before he was thirty, Shepard had over thirty plays produced in New
York. In his works Shepard has repeatedly examined the moral anomie and
spiritual starvation that characterize the world of his drama.
Sam began his career as a playwright in New York in 1964 with
the Theatre Genesis production of two one-act plays, COWBOYS and THE ROCK GARDEN
at St. Mark's Church-in-the Bowery. Their lack of conventional structure and the
manic language of their long monologues offend critics from uptown papers. Some
find the plays derivative of Samuel Beckett and other European dramatists. But
Michael Smith of THE VILLAGE VOICE hails them as "distinctly American" and
"genuinely original," and declares their author full of promise.
By 1980, he was the most produced playwright in America after
Tennessee Williams.
Over the past forty years, Sam has written over 45 plays,
eleven of which have won Obie Awards. In 1979 he was awarded the Pulitzer Prize
for Drama for BURIED CHILD.
In 1986 he was elected to the American Academy of Arts and Letters, and in 1992
he received the Gold Medal for Drama from the Academy. He was inducted
into the Theatre Hall of Fame in 1994."No one knows better than Sam Shepard that the true American
West is gone forever, but there may be no writer alive more gifted at
reinventing it out of pure literary air." ...Frank Rich, The
New York Times
"Mr. Shepard is the most deeply serious humorist of the
American theatre, and a poet with no use whatsoever for the 'poetic.' He brings
fresh news of love, here and now, in all its potency and deviousness and
foolishness, and of many other matters as well." ...Edith Oliver,
The New Yorker
"If plays were put in time capsules, future generations would
get a sharp-toothed profile of life in the U.S. in the past decade and a half
from the works of Sam Shepard." ...Time Magazine
"Sam Shepard is one of the most gifted writers ever to work
on the American stage." ...Marsha Norman, Pulitzer-Award-winning author
"One of our best and most challenging playwrights... His
plays are a form of exorcism: magical, sometimes surreal rituals that grapple
with the demonic forces in the American landscape." ...Newsweek
"His plays are stunning in their originality, defiant and
inscrutable." ..Esquire
"Sam Shepard is phenomenal.... The best practicing American
playwright." ...The New Republic
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